Arts – Music – Poetry – Cinema – Television
“La Ofrenda” is a sacrament hymn written by José V. Estrada G. It is possible that it was based on “Venid Hermanos En La Fe” by Edmund Richardson or drew inspiration from similar places. It is one of the hymns that was only published in the 1912 edition of the Mexican mission hymnals.
“Venid Hermanos En La Fe” is another example of the prolific hymn writer Edmund Richardson. It bears some notable resemblances to “La Ofrenda,” another sacrament hymn written by José V. Estrada G., though the Richardson text was written first.
As mentioned previously, Edmund Richardson seems to have had a particular interest in linking indigenous Mexican peoples to the Book of Mormon narrative and “La Voz de Jesucristo” is the third example of this. For some relevant historical analysis, see the following posts:
Edmund Richardson seems to have had a particular interest in linking indigenous Mexican peoples to the Book of Mormon narrative. In many ways, however, his approach was a colonizing narrative in which the indigenous peoples were ignorant, benighted peoples in need of civilizing through the efforts of Euro-American Latter-day Saints. “¡Oh gente afligida!” is just one example of Richardson’s poetry on the subject, with “La Obra Ya Empieza” and “La Voz de Jesucristo” being two other examples. For some relevant historical analysis, see the following posts:
“La Obra Ya Empieza” was one of the original hymns included in the 1907 Himnario Mormón (the first Spanish-language hymnbook in the Church). Written by the prolific hymn-writing colonist Edmund Richardson, it was originally a text with no tune specified for singing. In the 1940s red hymnbook, it appeared with an unidentified tune for the first time. When the current hymnbook came out in 1992, this hymn was not included.
People keep asking me for proof that the irritating tics in Mormon writing I’ve mentioned actually exist. In that respect, Taylor Kerby’s post over at BCC is useful in a couple of ways.
I have not been able to find out much about “Tened en dios confianza,” nor about its author, José V. Estrada G. On a more personal note, however, this was the first hymn that I worked with when I started contemplating the Mexican Mission Hymns Project around six years ago. The original music for the hymn that I wrote was even one of the five I submitted for consideration with the new hymnbook.
“Placentero nos es trabajar” or “Despedida” is one of the more popular hymns that is included in Latter-day Saint hymn books, written by a Latter-day Saint, but not in the English hymnal at this time. Hence, I’ve been consistent in pointing it out as a likely candidate for inclusion in the forthcoming hymnal. While I’ve talked about this hymn in the past, this post will serve two purposes—first, it is going to be where I pick up the Mexican Mission Hymns series. Second, it’s also a co-post for a recent interview with John A Gonzalez—the grandson of Andrés Carlos González, the author of the hymn—at the Latter-day Saint history blog From the Desk.
A YouTube channel called “For All the Saints” recently interviewed Ray Robinson—a member of the team that is creating the new hymnbook. There were several notable observations made by Robinson that I want to highlight:
Collectivize the ignorance, individualize the enlightenment.
I only truly disagree with Jonathan on one point from his recent post about the new hymnal, and it’s probably not the part you would expect.
We’re getting closer to the new hymnbook/songbook being released. I talked about some updates last August, but there has been some other information that has come out since then.
