Category: Mormon Arts

Arts – Music – Poetry – Cinema – Television

Top Gospel-Related Songs and Some Top Renditions

Orchestra of Angels I’m not a musical person. I was started on the classical guitar quite early and became decently proficient at it by the time I was in Jr. High, but I just didn’t have the fire to practice for hours like many in the music world have. I enjoy a good tune, but I can’t tell the difference between, say, Mozart and something a graduate student would write (I actually wonder if musicologists couldn’t without pre-existing knowledge of Mozart’s musical corpus and it’s emperors with no clothes all the way down, but I digress).  However, there is some music whose greatness is self-evident, and you don’t need musical training to recognize and appreciate how spiritually moving it is. Below is my own list, along with examples of moving renditions Come Thou Font The classic rendition of this we always listened to growing up, which is still my favorite, is the version in the BYU Choir’s Thanksgiving of American Folk Hymns way back when. This was in the hymn book, but was taken out, and I hope the new one will have it in again.  Ode to Joy Piano Guys did a fun version of this, but it’s also worth listening to the full orchestral version. Hallelujah Chorus The Church put together the largest virtual Hallelujah Chorus of all time. Traditionally one stands for the Hallelujah Chorus. I heard it was because a king stood out of respect when it…

Translation theory won’t decide your polemic argument

One of the recurring irritations of reading apologetic, polemic, or scholarly work in Mormon Studies addressing Joseph Smith’s translations of ancient scripture is that the authors nearly always ignore the perspective of practicing translators and the field of translation studies, instead basing their analyses in simple notions of linguistic equivalence that may still prevail in graduate language exams, but that the field of translation studies abandoned as unworkable several decades ago.

The Princess Bride (As You Wish)

The Princess Bride’s relationship to the scriptures. Bear with me here.  This is not one of those “William Goldman [the author of the book and screenwriter for the movie] was LDS” things (like “Yoda is President Kimball” or whatever from other franchises). When I first read the book (which came before the movie), it shocked me.  I did not expect what I found. Almost everything from the movie was in there (although often in different ways – the famous “life is pain” quote comes from Fezzik’s parents in passing during a flashback, for example), but there was so much more.  There was a lot on “his” [scare quotes on purpose] dysfunctional family life, his career, his childhood, and a lot more plot in the actual tale of Buttercup.

(Almost) Everyone Gets Battlestar Galactica Wrong….

The most cited article I’ve ever written was also my first professional publication: “Why Your Mormon Neighbor Knows More About This Shows Than You Do” in Battlestar Galactica and Philosophy from Open Court Press (not to be confused with the Battlestar Galactica and Philosophy from Blackwell Press). One reason I wrote that article was that while there were a few scattered articles, websites, and other venues that acknowledged LDS/Mormon influence on the original show (and the faint traces of it in the more recent version), nearly all of them got something wrong – often egregiously so.

The 1927 Latter-day Saint Hymns

At the start of each year, there is a whole collection of publications that enter the public domain. This year is a relatively big year for people interested in Latter-day Saint song books, since the 1927 Latter-day Saint Hymns, along with a few other song books (the 1927 edition of the Primary Song Book and some anthem collections) are now public domain.

Sacrament Meeting Hymns

Latter-day Saint sacrament hymns

Choosing music for sacrament meetings is an interesting responsibility sometimes. One of a few different challenges is that there are only 27 hymns specifically selected as sacrament meeting hymns, so there is a lot of potential for repetition.

VII. The GAEL and Linguistic Typology

The GAEL provides for a mode of interpretation that finds expansive (but not unlimited) meaning in seemingly simple characters. Zakioan-hiash, as we have seen, is both a name, a word with a specific phonetic realization, and the equivalent of at least one sentence.

IV. The GAEL and the structure of Abraham 1:1-2a

In his 2009 article, Chris Smith argued for the textual dependence of the Book of Abraham on the GAEL. While Dan Vogel’s recent book about the Book of Abraham and related apologetics strenuously objects to any suggestion that the GAEL was reverse engineered from the translation of Abraham, Vogel nevertheless entirely rejects the basis of Chris Smith’s argument.

Robert Alter’s Translation of the Hebrew Bible

I’ve always wondered how well the talks of different general authorities translate to other languages.  For example, I can imagine that a lot of the alliteration that a few apostles adopt in their addresses doesn’t carry over.  And I know from my work on translating Spanish hymns that translating between languages is an inexact science and involves compromises to keep certain aspects of the original language – rhyme, meter, literal meaning of words, nuances conveyed in idioms, etc.  It’s almost impossible to carry all of those together across from one language to another.  Largely because of this, translations of the Bible have proliferated, with each trying to convey the meaning of the texts from the original languages in different ways.  For example, Robert Alter’s English translation of the Hebrew Bible focuses on carrying the literary forms of the Hebrew texts.  In a recent interview at the Latter-day Saint history blog From the Desk, Robert Alter discussed his translation. Robert Alter is a noted scholar who received his doctorate from Harvard University and is a Professor of Hebrew and Comparative Literature.  His doctorate was in modern comparative literature, but he noted in the interview that: “as an undergraduate I spent three years studying biblical texts rigorously with H. L. Ginsburg, one of the leading philological scholars of the Bible of his generation.”  His familiarity with literary forms and biblical texts came together to lead to his translation: In the late 1970s I published…

II. What Joseph Smith Would Have Known About Champollion

Before we get to the heart of my argument – which is coming up next in a long post with a detailed look at what’s in the GAEL – we need to look at what Joseph Smith and his associates would have known about Champollion and the decipherment of Egyptian hieroglyphics by 1835.

I. Putting the grammar back in GAEL

Scholars from seemingly every corner of Mormon Studies agree: While working on the Egyptian papyri, Joseph Smith and his associates were either unaware of Champollion’s recent work to decipher Egyptian hieroglyphics, ­or simply unaffected by the recent advances in Egyptology. Not only is this position untenable, it’s demonstrably incorrect.

Christmas Carols in the French Hymnbook

A few years ago, I talked about Christmas songs that are included in the various translations of the Latter-day Saint hymnbook that are not in the English hymnal.  I’m hoping to share the music and translations of those songs over the next few Decembers, starting this time with the music in the French hymnbooks.  In this case, there are three Christmas hymns in the hymnbook that appear in the French edition that aren’t in the English: “He Is Born, the Divine Christ Child” “Lo, How a Rose E’er Blooming,” and “Sing We Now of Christmas“. He Is Born, the Divine Christ Child “He Is Born” (“Il est né le divin Enfant”) is a relatively well-known carol that is included in the French and Tahitian hymnbooks.  For the translation presented below, I’ve used the Samuel Bradshaw translation paired with the music from the French hymnal. Lo, How a Rose E’er Blooming “Lo, How a Rose E’er Blooming” (“Es ist ein Ros entsprungen”) is a well-known German Christmas song frequently sung during the Advent season that leads up to Christmas. It is also one of the Christmas sonsg featured most frequently in Latter-day Saint hymnbooks outside of the English edition.  It is included in the German, Dutch, French, Icelandic, and Swedish editions of the hymnal.  I’ve elected to use the translation that I’m most accustomed to (the Theodore Baker translation) paired with the music from the French hymnal.  Given that the French…