Author: Kent Larsen

Lit Come Follow Me: D&C 20-22

Administrative acts don’t always get the same attention that ordinances and more dramatic events. And in comparison to the First Vision, the Martyrdom and a number of other events, the organization of the Church doesn’t get as much attention. This is also true in poetry. But even so, there are poems that mention the organization of the Church. This week’s Come Follow Me lesson discusses sections 20 and 21, both of which refer directly to the organization of the Church. And the third section covered in the lesson, section 22, makes plain the need for baptism by proper authority, something directly connected to the Church’s organization.   Whitney’s Two Pictures While the Church’s organization hasn’t received as much attention as the First Vision, poet Orson F. Whitney saw an important connection between them. Whitney was not the first of our poets to eventually become Apostles, but he may be the best, and perhaps even the most ambitious poetically (although Parley P. Pratt can also make these claims). Here’s Whitney’s take on these two early events in Church history: Two Pictures by Orson F. Whitney (1886) The foremost is a scene where forests grow, Where flowers bloom and springtime breezes blow, Where sweet-toned birds send up their matin lay And revel in the golden beams of day. Deep in the bosom of a woodland shade, Where solitude her secret home hath made, A rustic lad, his sunburned temples bare, Pours forth…

Lit Come Follow Me: D&C 18-19

The sections of the D&C covered in this week’s Come Follow Me lesson are apparently about the calling of the twelve apostles and paying for the Book of Mormon. But they also include themes that don’t directly bear on these purposes. Perhaps the most important theme is the call for repentance, and the subsequent forgiveness. Both sections talk about repentance: section 18 discussing the role of missionaries and members in calling the world to repentance, and section 19 including the oft-cited imploring of the Lord to repent in verse 16:  “For behold, I, God, have suffered these things for all, that that they might not suffer if they would repent.”   A Call to Sinners If we ask what language outside of English first received a sustained call to repentance, I think most Church members today would be surprised to learn that the answer is Welsh.  While Orson Hyde published a missionary tract in German earlier, it didn’t represent a sustained missionary effort. Instead, that happened first in Wales, which benefitted from the country’s integration in the United Kingdom. Missionaries first began preaching there in 1840, and saw significant success by 1845, when the well-known missionary Dan Jones began preaching in his native language. In 1846, the first non-English Latter-day Saint periodical Prophwyd y Jubili (Prophet of the Jubilee) began publication, and included the following anonymous poem: Galwad ar Bechaduriaid (1846) O, bechaduriaid, trowch mewn pryd–– Ar bechu mwy na roweh…

Lit Come Follow Me: D&C 14-17

This week’s Come Follow Me lesson includes several similar sections of the Doctrine and Covenants: three revelations to David Whitmer, John Whitmer and Peter Whitmer, Jr., who have asked the Lord where they should focus their efforts. The fourth section in this lesson is essentially the call to David Whitmer, Martin Harris and Oliver Cowdery to be the three witnesses to the Book of Mormon. But while these sections have similar purposes and focus on the Whitmer family, they are far from the same. Even the most similar, the revelations to John and to Peter Whitmer, Jr., have some differences. And those differences lead to the discussion of several different principles.   John Jaques and Measuring Arms with God In section 14, a revelation given to David Whitmer, the revelation again uses the “marvelous work and a wonder” phrase that is so common in the Doctrine and Covenants. Often this phrase comes with a bit of a paradox, since it is clear that we are supposed to participate, but that regardless of what we do, God will accomplish His purposes. I like how poet John Jaques catches some of this in the following poem. Born in England in 1827, Jaques joined the Church in 1848, and in addition to serving a mission, he wrote poetry, including several hymns in our current hymnal. He is perhaps best known for “Oh Say, What is Truth?” He immigrated to Utah in 1856, and…

Lit Come Follow Me: D&C 12-13

The two sections of the D&C for the next Come Follow Me lesson are both quite short, but the second covers one of the most significant events in Church history—the visit of John the Baptist restoring the Aaronic Priesthood and the ordinance of Baptism, found in section 13. But before that, in section 12, we find a blessing on Joseph Knight, Sr., who sought to know what he should do to build up the kingdom. Surprisingly, the answer to that is not often found in the earliest Mormon poetry—when this poetry speaks of Zion or of the kingdom, the message is often simply the millennial message that the Lord will bring Zion, regardless of what we do. Fortunately, there are some poems that do suggest that we should work to build up Zion.   Jane Mason On Zion On Zion is the earliest poem I found that mentions that we should be part of building up Zion. Its author, Jane Horby Mason, was born in Louth, Lincolnshire in 1807 and married Thomas Mason in 1840. They had a child, James, in 1841, and several years later Jane joined the Church and wrote a poem titled “Truth” in 1847 and the following poem in 1848. Early the following year, Jane and her son James immigrated to Utah, leaving Thomas behind. In Utah Jane married Levi Savage, Sr. in 1856, and lived in Utah until her death in 1888. I hope to…

Lit Come Follow Me: D&C 10-11

The two sections in this week’s Come Follow Me lesson seem very different. The first, section 10, concerns the aftermath of the loss of the 116 manuscript pages containing the initial translation of the Book of Mormon. In contrast, section 11 is a revelation of advice to Hyrum Smith. But in both of them is a message of seeking the Lord and relying on Him—the first proclaiming that God foresaw everything from the beginning, so we should rely on Him, and the second urging reliance on Him by accepting revelation and prophecy.   Seek Ye The Lord by Maria Berry Let’s start with a poem by Maria Berry, apparently the Maria Berry who lived in the then mining boomtown of Mammoth, some 45 miles west southwest of Provo (near Eureka). If this is correct, then Maria was born in Denmark as Hansine Marie Bluhm, and immigrated with her family to the United States in 1881, when she was just over a year old. She married John Ernst Berry (born Behre in Germany, also immigrated as a child) in 1900, and raised her family first in Sanpete county and then in Mammoth, before the family settled in Salt Lake. She passed away in 1969. This poem shares its first line with the hymn “Count Your Many Blessings”, which may cause some confusion or dissonance when reading it. But its message is much closer to the message of the lesson: Seek Ye…

Lit Come Follow Me: D&C 6-9

The central character in this week’s D&C sections is Oliver Cowdery, the primary scribe and assistant to Joseph Smith in the translation and publication of the Book of Mormon. In our mythology1, we frequently recount the story, told in two of these sections2, of Oliver’s attempt and failure at translating the Book of Mormon, often to teach the idea (among others) that receiving revelation is work, something that we need to put effort into. A third of these section also seeks to help Oliver understand revelation, while the fourth is, if nothing else, an example of revelation. So we don’t need to search hard to find a theme for this week.   The Revelation by Hannah Deady Tomsik And the theme of revelation appears regularly in LDS poetry. Let’s start with a very personal poem, and one that I think will resonate with many of us today. It was written in 1921, not long after the influenza pandemic, by Hannah Tomsik of Washington City, Utah. At this point she was a mother of three small children, and her immediate family had escaped the pandemic. But her poem suggests that she saw many others suffer:   The Revelation by Hannah Deady Tomsik (1921)  We look upon our neighbor in his grief, And wonder how he bears the bitter pain. In our weak way, we try to give relief; We try to help and comfort, but in vain. We see him lay…

Lit Come Follow Me: D&C 3-5

In the three sections covered in this week’s Come Follow Me lesson we go with Martin Harris from the 116 pages to being a witness, with a detour to Joseph Smith Sr. and what it means to serve God. While I haven’t found poems that mention the events associated with these sections, there are a number that examine the principles in them. For example, the lesson discusses Martin Harris’ worries about his standing in the community and with his wife as one of the contributing factors behind him seeking the 116 manuscript pages, and draws from Section 3 the principle “Trust God not man.” And that teaching is the subject of the following poem by Thomas Ward.     A Fragment by Thomas Ward Thomas Ward served as editor of the Millennial Star, the Church’s long-running England-based periodical, following Parley P. Pratt’s return to the US in October 1842 until Orson Hyde took over in October 1846, as Ward was apparently leaving England temporarily.  By the next year, Ward was in England, and had become ill with dropsy. He died on March 4th. A Fragment is one of several poems that Ward published in the Millennial Star. A Fragment By Thomas Ward (1843) I mark’d him as he stood with downcast eye, Whence, ever and anon, a tear would start; While with convulsive throb his bosom heav’d; ‘Twas nature’s final struggle to o’ercome The high resolve, the purpose of the…

Lit Come Follow Me: D&C 2

This coming week’s Come Follow Me lesson discusses the events surrounding the coming forth of the Book of Mormon, including the visits of Moroni to Joseph Smith and the scripture’s translation and publication. Like other early events in the restoration, these events have been portrayed artistically many times, and will undoubtedly be portrayed many more times. Clinton F. Larson’s Sonnet on the Book of Mormon I’ll start my selected poems for this week with a sonnet by Clinton F. Larson (no relation — our last names are spelled differently). Larson was a BYU professor who became the University’s first poet-in-residence. He is also known as the playwright of several well-regarded and very Mormon plays, including Coriantumer and Moroni (1962) and of The Mantle of the Prophet (1966). His poetry also appeared in the seminal anthology of Mormon literature, A Believing People.   Sonnet on the Book of Mormon By Clinton F. Larson (1940)   The ruins murmur on unceasingly To testify there was another day … This western hemisphere has known a glory That we know little of, except to say:   ‘I felt their grandeur in the backward look …’ They had a scripture from Omnipotence: So from the dust, from them to us, the book Came down, spanning timeless decadence   To tell us of the nations and the forms That have gone down beneath consuming time; What temporal monument, against the storms, Can hold steadfastly in artistic rhyme?…

Lit Come Follow Me: D&C —Joseph Smith History 1

In the second lesson for this year, the Come Follow Me curriculum turns to Joseph Smith-History in order to include a brief look (over two lessons) at the origins of the restoration. For most Church members, the story is very familiar, and the principles taught are well-covered material. And, as you might imagine, the events of the First Vision have been told many times in poetry. But, that was not always true—Mormon poets didn’t cover the First Vision until the saints arrived in Utah. Below I’ve included three poems that treat the First Vision. Two of them are from some of the best known of Mormon poets. But, don’t stop there. The final poem, a sonnet, is the best, and one of my favorites of all Mormon poetry. Eliza R. Snow’s Historical sketch of the Life of President Joseph Smith The earliest poem I found is from 1856 — found in Eliza R. Snow’s first collection of poetry. Snow started writing a poetic epic poem to tell the life story of Joseph Smith in the early 1840s, completing an introductory poem that was published in 1843. She later wrote two “chapters” of the poem covering Smith’s life until the organization of the Church, and then apparently abandoned the project. The whole poem was published in her 1856 collection. The following is a portion of the second chapter that covers the events of the current Come Follow Me lesson: Historical sketch…

Lit Come Follow Me: D&C Section 1

The first section of the Doctrine and Covenants is meant to be its preface; an outline of both its reason for existing and its purpose. Presented at a conference of the Church in November, 1831, Section 1 was given and composed specifically because the church was compiling the revelations Joseph Smith had received and was trying to publish them. So this section is the revelation the Lord gave to outline the purpose of this volume of scripture. The Come Follow Me lesson for this first week of the year discusses several main concepts, including the restoration of the gospel, the primary reason why the Doctrine and Covenants exists. So, I’ve found two poems this week which talk about the restoration of the gospel.

Eleusis and the Spanish-language LDS Novel

Some years ago I learned of and became fascinated with a 1976 Venezuelan LDS novel, La Puerta Azul, o Georgina Altamirano, La Venezuelana que se convirtió en Mormona. This autobiographical novel was written by the granddaughter of the “patriarch of Meridan Letters,” Tulio Febres Cordero. It also was the first long-form Latter-day Saint literary work I knew of that was written in another language1. But, although I have a copy, I haven’t yet read it. Since then I’ve kept an eye out for other works, and I’ve found some2. Recently, I’ve seen some activity in Mexico, most notably the literary association “La Cofradía de Letras Mormonas“ and its periodical “El Pregonero de Deseret”3. And I learned of a recently-published Mexican Latter-day Saint novel: Eleusis [The Long and Winding Road] by R. de la Lanza. I believe that a Mexican Latter-day Saint literature is developing. A Short Review I must admit that I was pleasantly surprised by Eleusis, which is available as an ebook from Amazon. Given the average book in the Wasatch-front based LDS market, I expected a fairly traditional work—a genre work written for entertainment, perhaps with a thriller or romantic plot with a Latter-day Saint setting. But I think Eleusis has higher aspirations. The novel tells the story of multiple generations of a Mexican family as they work through their relationship with the Church over a century. Shifting back and forth through time, the family members join the church,…

How Much Art Comes through Church

Think through this with me: How much art do we see through the Church or because of the Church? I’m talking about all forms of art; visual and performance, representative and symbolic, etc. and etc. What art is delivered to us by the Church? How much art is in our worship and lessons? What impact does it have? And what art do we participate in because of the Church?

What are the New Roles for our Latter-day Saint Cultures?

We’ve all seen the changes. Two hour church. High Priests don’t meet separately. No more Scouts. Come Follow Me. Etc., etc., etc. Anyone with a serious continuing connection to the Church is still adjusting. And those adjustments include adjustments to our culture. You’ve probably seen the changes in culture. They include changes to our terminology (“ministering”, “come follow me”), changes in how we structure our lives (“two hour church”, home-based study and study groups) and changes to the cultural goods we consume (podcasts, YouTube videos). During my life the culture associated with the Church had already changed markedly before the most recent changes. The roadshows, bazaars and theater, the sports competitions and blue and gold balls, the Relief Society magazine of my youth are gone, along with many other things. How I act as a Church member now is radically different than what was normal then. With all of this, I wonder how the role of culture has changed and should change. In my view culture is an extremely important part of any organization. We rely on culture to allow members to express their feelings about the church and their place in it and the world. Our culture gives others signals about whether we are part of the community or not. Culture fills in our experience between ritual and meeting. It is present in how we try to accomplish our religion. And sometimes it even limits and thwarts what the…

When There’s Church At Home

Our readers will have heard that the First Presidency announced yesterday that all church meetings and activities have been suspended, due to the worldwide Covid-19 pandemic. As a result, most members and families will worship at home starting this Sunday. In addition, the Church’s counsel says, “We encourage members in their ministering efforts to care for one another. We should follow the Savior’s example to bless and lift others.” So despite the pandemic, we should try to find ways to minister and help others (as I suggested earlier this week). This is not new for everyone. On occasion church is canceled due to local weather, logistics and natural disasters. No doubt many of our readers have experienced such closures in their area. Given that we all have only a few days to prepare for worshiping at home this Sunday, I thought it might be useful to start a discussion of what to do and how to prepare, as well as what to do to help others. For those of you who have had to make do without meetings at church, what have you done? If your situation isn’t the standard nuclear family, what do you do? How do you worship at home if you are the only one there? I think sharing some tips about what to do and how to do it might help us make our home worship fulfilling and help us support our friends and neighbors. What…

Reacting to Covid-19—How Will We Help?

All those who have traveled on commercial airlines know the instructions: In case of a loss of cabin pressure, put the drop-down mask on yourself first, and then on your child (or companion or others, I presume). The same idea applies to any disaster: secure your own situation first, then help others. This applies to the Novel Coronavirus aka Covid-19 as well.

What Can’t Be Discussed in Church

In a podcast I listened to recently, a man who had left the church described going to sacrament meeting with his still-believing wife and feeling upset at what was said in church. He had come to believe that certain claims that are regularly stated at church were not true, and hearing them was uncomfortable. Initially, I found this idea strange. Why would it be uncomfortable to simply hear someone say something that you don’t believe to be true?

Six Funerals and the idea of Legacy

While I was at BYU years ago one of my best friends asked me to go with him and his wife to Cedar City to the Utah Shakespearean Festival. His wife’s father had served a mission with the founder, Fred Adams, and her family had gone frequently over the years since Adams founded the festival. Thirty-four years later, I still go to the festival each summer with the same group of friends. So when I learned that Fred Adams passed away February 5th at the age of 89, I mourned because of his influence on my life. I was particularly impressed by the human Fred Adams portrayed at his funeral. Fred’s passing is just the most recent of six that have had an impact on me over the past year. I have long admired Fred’s vision and persistence in creating an institution that benefits the lives of hundreds of thousands. Part of me has a longing to create something as significant as the Utah Shakespeare Festival. His death followed close on the passing of Clayton Christensen. He too was someone lauded as much for how he treated the individual as his accomplishments. [I found this podcast tribute notable for pointing out that Christensen practiced what he preached at work as well as at Church.] Like Adams, I admired Christensen for his accomplishments and for his integrity. These losses were significantly less personal than others I experienced. Last year a neighbor,…

Times and Seasons Welcomes William Barlow

Times and Seasons hopes you will join us in welcoming our latest guest blogger, William Barlow. He is an attorney and graduate of Harvard Law School, where he regularly wrote for the Harvard Law Record, including a guest appearance on Fox News Business. William received his undergraduate degree in history from Duke University.  Following law school, William was an M&A attorney at a New York law firm for over three years before transitioning to North Carolina.

The Gospel According to “A Christmas Carol” II

As I mentioned in my last post, I read Dickens’ novella, A Christmas Carol each year at this time. As a result of reading it and re-reading it, for me this story has passed from mere entertainment to something much more. In the story Dickens introduces us to Ebenezer Scrooge, who is visited on Christmas Eve by the ghost of his business partner, Jacob Marley. Scrooge hears his approach as chains and weights rattling over the floor and on the stairs and sees Marley weighed down by chains when he appears. During their visit, Scrooge asks Marley where his chains comes from, and Marley replies: “I wear the chain I forged in life. I made it link by link, and yard by yard; I girded it on of my own free will, and of my own free will I wore it. Is its pattern strange to you?” “would you know the weight and length of the strong coil you bear yourself? It was full as heavy and as long as this, seven Christmas Eves ago. You have laboured on it, since. It is a ponderous chain!” The symbol of chains here is fascinating. What exactly is the chain Scouge wears? How is he laboring on it? We might assume that the chain is made up of sin. But I’m not sure that fits exactly. Dickens never suggests that Scrooge is actively doing anything wrong or illegal. The firm Scrooge & Marley seems…