Category: Mormon Arts

“Digno es de todo loor” by Edmund Richardson is another effort by Richardson to address the Latter-day Saint understanding of the Godhead in a hymn (the other example being Doxologías).

“Dios Te Loamos” by Edmund Richardson was one of the shorter original hymns included in the Mexican Mission hymnals. That being said, I am fond of this text.

“Promesa cumplida” by Joel Morales is a fantastic example of hymns about the Great Apostasy and the Restoration of the Gospel of Jesus Christ in Mexican Latter-day Saint literature.

Doxologías is an expanded text based on “Praise God from Whom All Blessings Flow”, but it was eventually phased out in favor of the latter by the time that the 1942 hymnal was published.

“Venid Hermanos En La Fe” is another example of the prolific hymn writer Edmund Richardson. It bears some notable resemblances to “La Ofrenda,” another sacrament hymn written by José V. Estrada G., though the Richardson text was written first.

As mentioned previously, Edmund Richardson seems to have had a particular interest in linking indigenous Mexican peoples to the Book of Mormon narrative and “La Voz de Jesucristo” is the third example of this. For some relevant historical analysis, see the following posts:

Edmund Richardson seems to have had a particular interest in linking indigenous Mexican peoples to the Book of Mormon narrative. In many ways, however, his approach was a colonizing narrative in which the indigenous peoples were ignorant, benighted peoples in need of civilizing through the efforts of Euro-American Latter-day Saints. “¡Oh gente afligida!” is just one…

“La Obra Ya Empieza” was one of the original hymns included in the 1907 Himnario Mormón (the first Spanish-language hymnbook in the Church). Written by the prolific hymn-writing colonist Edmund Richardson, it was originally a text with no tune specified for singing. In the 1940s red hymnbook, it appeared with an unidentified tune for the…