What counts as art is an interesting question. We have a bias toward thinking of art in terms of oil paintings, bronze statues, or marble carvings. One of the unfortunate effects of this bias is that it makes much of the art done by women invisibile. You’ll note that most of the work done in those mediums has been done by men. However, if we expand our sense of what constitutes art, there are mediums where women clearly dominate. Consider quilting.
Category: Mormon Arts
Arts – Music – Poetry – Cinema – Television
A Mormon Image: Temple Murals and Art Missionaries
While many members don’t realize it, there is actually a fairly strong tradition of impressionistic painting among Mormon artistists. The origins of the tradition go back to the decision of the Church to send some budding young LDS artists to Paris as “Art Missionaries” in the late 19th century. This painting, a study for the mural in the Garden Room of the Salt Lake Temple, is an example of this impressionist tradition.
A Mormon Image: The All-Seeing Eye
During the nineteenth-century all-seeing eyes were a common Mormon image. They seem to have been borrowed from Masonry and represented the presence of God. Accordingly, the symbol was frequently associated with temples, and appears in numerous places on the interior and exterior of the Salt Lake Temple. This image, however, is much earlier and comes from the St. George Tabranacle.
A Mormon Image: The 19th Ward Chapel
When Brigham Young laid out Great Salt Lake City in the 1840s, he modeled it on the Mormon experience in Nuavoo. Thus, the city was divided into wards, which were combined to form the original Salt Lake Stake of Zion. In all there were nineteen of these wards, and they continued to be the core units of the Church in Salt Lake for many, many years. This chapel, built in 1890, housed one of those original wards.
A Mormon Image: A Photograph of Joseph?
Some believe that this image is a photograph of the Prophet Joseph Smith. If they are right, it is the only known photographic image of Joseph . . .
A Mormon Image: C.C.A. Christiansen
Since blogs seem to thrive on regular features, I have decided to start one here at T&S. Because my father is an art historian and a curator at the Museum of Church History and Art, I have always been interested in the images and art that Mormonism has produced. Thus, I will begin regularlly posting samples of it to this blog, along with a little bit of commentary. I begin with C.C.A. Christiansen
An Image for Kaimi
Here is what I have always thought was the best visual depication of Kaimi’s theory of Book of Mormon geography. The painting is by the wonderful Minerva Teichert.
He Forgets Not His Own
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A Mormon Image: Our Army
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Another post about hymns
Greg’s recent post about hymns made me think again about an issue I’ve been reminded of every several months for the past two years. I live in the Bronx, and my ward has somewhat unusual demographics. It is probably 60% African-American, including the Bishop and First Counselor, which I had never seen in a U.S. ward before. It is also very much a mission-field ward, with maybe a third of its members having belonged to the church for more than four or five years. With the ward’s demographic mix and the members’ relative lack of church experience, subjects like Blacks and the priesthood are particularly sensitive. Two years ago, I was sitting in General Conference (priesthood session, as I recall) and we turned to page 59 to sing that old standard, “Come, O Thou King of Kings.” I had probably sung it dozens of times before, never really paying much attention. We sang along up to verse four. Suddenly the text seemed to jump out of the page at me. I was sitting next to a newly-baptized African-American member, and hoped that he would be paying little attention, as we sang: Hail! Prince of life and peace! Thrice welcome to thy throne While all the chosen race Their Lord and Savior own The heathen nations bow the knee And ev’ry tongue sounds praise to thee. The new member said nothing, and I breathed a sigh of relief. Nevertheless, I was…
Reason’s Stare
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Eliza R. Snow in the New York Post
A couple of weeks ago I was perusing that paragon of journalistic integrity, the New York Post (today’s cover: “JACKO: Now Get Out of This One!), and saw a phrase that I’d previously only heard sung (much too slowly) in church. The lead of George Will’s column was “Of capital punishment, Massachusetts Gov. Mitt Romney says: ‘It makes reason stare.’ Indeed it does.” First of all, what does this phrase from the early Mormon hymn “O My Father” mean? I guess I understand what its meant to convey, but it certainly is a curious turn of phrase. Has any thought *made* you stare before? If some thought is unreasonable, would personified reason just stare at it? Or perhaps reason is just blankly staring into space, totally flummoxed. Second, why have we as Mormons been so slow to introduce the unique lexicon of our hymns into a wider sphere? I would love to see the headline “Bush Hies to London;” or “UN Security Council Puts Shoulder to Wheel.” Lastly, I found it mildly refreshing that a prominent Mormon would so quotably criticize the death penalty. (The context, of course, was that Romney was appointing a commission to look into bringing the death penalty back to Massachusetts.) I don’t think I’ve ever heard such criticism from any other prominent Mormon, nor from much of the rank and file. Perhaps it’s an indication that recent publicity on the topic (Governor Ryan, Scott Turow,…