{"id":4668,"date":"2008-07-20T13:39:37","date_gmt":"2008-07-20T17:39:37","guid":{"rendered":"http:\/\/timesandseasons.org\/?p=4668"},"modified":"2009-01-19T18:07:44","modified_gmt":"2009-01-19T22:07:44","slug":"book-review-the-host","status":"publish","type":"post","link":"https:\/\/timesandseasons.org\/index.php\/2008\/07\/book-review-the-host\/","title":{"rendered":"Book Review: <i>The Host <\/i>"},"content":{"rendered":"<p>by Stephenie Meyers (Little, Brown, 2008). 617 pp. <\/p>\n<p><strong>WARNING: major spoilers<\/strong><\/p>\n<p>Stephenie Meyer\u00e2\u20ac\u2122s foray into science fiction is a well-deserved best seller, and a great piece of Mormon literature. The romantic interaction between Bella and Edward and Jacob\u00e2\u20ac\u201dwait, I mean between Jared and Melanie\/Wanderer and Ian\u00e2\u20ac\u201duh, hold on a second&#8230;<!--more--><\/p>\n<p>The first thing that readers of the Twilight series will notice is a similarity in characters, conflicts, and situation, although in some new configurations. Like the vampires in <em>Twilight<\/em>, the alien invaders in <em>The Host<\/em> are parasites who turn normal people into something different. The fundamental conflict in both works involves love between what should be (im)mortal enemies, and the romantic relationships raise questions about the roles that (vampire) bodies and (alien parasitic) minds play in romance and personal identity. Pointing out the similarities is not meant as a criticism; these are interesting themes, and Meyers, like a lot of writers, gets good mileage out of exploring variations on them.<\/p>\n<p>It does open up some possibilities for comparison and speculation, however. <em>The Host<\/em> is a complete book (although I wouldn\u00e2\u20ac\u2122t mind a sequel) that corresponds to an unfinished series whose last installment arrives in a few weeks. Does <em>The Host<\/em> give away any clues about how the Twilight series will end? I suspect it does. <em>The Host<\/em> concludes by reconciling the apparently irreconcilable, with Jared and Melanie together again and Ian and Wanderer together at last, and I expect that the Twilight series will end similarly: Bella and Edward will find a way to be together (my guess is that she bites <em>him<\/em>, and returns him to human form), while overgrown kid brother Jacob will imprint on the she-wolf of his dreams.<\/p>\n<p>But <em>The Host<\/em> can stand on its own without reference to Twilight. As I\u00e2\u20ac\u2122ve written before, Stephenie Meyer has a phenomenal talent for writing opening chapters that keep you reading just a little more, just one more chapter, just a few more pages&#8230; In <em>Twilight<\/em> and here again in <em>The Host<\/em>, freed from the constraints of writing a series, \u00e2\u20ac\u0153just a little bit more\u00e2\u20ac\u009d lands you a couple hundred pages into the book, even if sci-fi-romance isn\u00e2\u20ac\u2122t your genre. Writers, Mormon or otherwise, should watch Stephenie Meyer closely to see how she does it.<\/p>\n<p>Although it\u00e2\u20ac\u2122s an international bestseller, <em>The Host<\/em> is also a very Mormon book. Metaphysically-minded Mormons will find an opportunity to reflect on the inseparability of human identities and human bodies. At a more fundamental level, there may be something essentially Mormon in retelling <em>Invasion of the Body Snatchers<\/em> as an interspecies romance from the perspective of a body snatcher. The usual sci-fi approach, and a book that\u00e2\u20ac\u2122s been written many times before, would tell how humanity threw off its alien puppet masters, but <em>The Host<\/em> is not about purification through violence. There\u00e2\u20ac\u2122s a silly and vacuous criticism that says Mormon writers can\u00e2\u20ac\u2122t write about evil, but there is no art in repeating tired tropes of monstrous horrors. The truth is that evil always has a human face, and that obscuring the humanness of evil is itself evil. The alien parasites in <em>The Host<\/em> are gentle beings of pure light and good intention who nonetheless commit genocide on a planetary scale many times over. <em>The Host<\/em> succeeds in showing that human actions are both noble, and as monstrous as the parasites\u00e2\u20ac\u2122. Jesus and Satan are brothers, and there by grace, or but for grace, go I.<\/p>\n<p><em>The Host<\/em> does not have any overt Mormon themes or characters, although Jared (<em>cough, cough<\/em>), who has qualms about the last man and woman on Earth going too far too fast, seems likely to have served a mission at some point. The novel\u00e2\u20ac\u2122s setting, on the other hand, is thoroughly Mormon. The refuge of the remaining uninfected humans is a self-sufficient outpost somewhere in the West, a long way off the interstate. This is not a place where many Mormons live today, but it\u00e2\u20ac\u2122s firmly anchored in our experience and our culture. Despite more than a century of urbanization and Mormon out-migration from Utah, many of us grew up with occasional visits or annual pilgrimages to the old family ranch or grandpa\u00e2\u20ac\u2122s farm, some self-contained place off in the desert or up the valley, far from the interstate or blacktop of any kind, that actually might go unnoticed if aliens invaded because often enough that was precisely what it has already done, a hundred years ago. The place off in the desert that the authorities can\u00e2\u20ac\u2122t find is an entirely appropriate setting for a novel about men and women pairing off in unequal number (of minds and bodies), with a resolution consisting in equal parts of monogamy restored and tolerance for alternative arrangements.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>by Stephenie Meyers (Little, Brown, 2008). 617 pp. WARNING: major spoilers Stephenie Meyer\u00e2\u20ac\u2122s foray into science fiction is a well-deserved best seller, and a great piece of Mormon literature. The romantic interaction between Bella and Edward and Jacob\u00e2\u20ac\u201dwait, I mean between Jared and Melanie\/Wanderer and Ian\u00e2\u20ac\u201duh, hold on a second&#8230;<\/p>\n","protected":false},"author":99,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[52,57],"tags":[],"class_list":["post-4668","post","type-post","status-publish","format-standard","hentry","category-book-reviews","category-arts"],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/timesandseasons.org\/index.php\/wp-json\/wp\/v2\/posts\/4668","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/timesandseasons.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/timesandseasons.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/timesandseasons.org\/index.php\/wp-json\/wp\/v2\/users\/99"}],"replies":[{"embeddable":true,"href":"https:\/\/timesandseasons.org\/index.php\/wp-json\/wp\/v2\/comments?post=4668"}],"version-history":[{"count":1,"href":"https:\/\/timesandseasons.org\/index.php\/wp-json\/wp\/v2\/posts\/4668\/revisions"}],"predecessor-version":[{"id":6297,"href":"https:\/\/timesandseasons.org\/index.php\/wp-json\/wp\/v2\/posts\/4668\/revisions\/6297"}],"wp:attachment":[{"href":"https:\/\/timesandseasons.org\/index.php\/wp-json\/wp\/v2\/media?parent=4668"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/timesandseasons.org\/index.php\/wp-json\/wp\/v2\/categories?post=4668"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/timesandseasons.org\/index.php\/wp-json\/wp\/v2\/tags?post=4668"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}