{"id":296,"date":"2004-01-16T15:26:51","date_gmt":"2004-01-16T22:26:51","guid":{"rendered":"\/?p=296"},"modified":"-0001-11-30T00:00:00","modified_gmt":"-0001-11-30T06:00:00","slug":"amateur-music-in-the-church","status":"publish","type":"post","link":"https:\/\/timesandseasons.org\/index.php\/2004\/01\/amateur-music-in-the-church\/","title":{"rendered":"Amateur Music in the Church"},"content":{"rendered":"<p>I was recently thinking about music in the church.  To be specific, I was wondering about the church policy of not hiring professional musicians, but simply plugging the best available members into any slot where they can conceivably fit.  I have been ward organist myself, despite my complete lack of training on the organ.  Our current ward organist is <a href=\"http:\/\/bobandlogan.blogspot.com\">Logan&#8217;s<\/a> lovely and talented wife, who has also (I believe) had no formal organ training.  This is not to critique her efforts (or my own); we have both done pretty well, I think, especially with liberal use of the Bass Coupler button. <\/p>\n<p>I have also, while living in New York, attended the Manhattan First Ward.  The organist there is no mere pianist-pressed-into-service, but a bona fide, trained specialist in the instrument.  The result &#8212; as anyone who has attended that ward can attest &#8212; is awesome.  It is also, in my observation, the exception rather than the rule.  The &#8220;Kaimi or Amy pressed into service&#8221; model seems to be predominant.<br \/>\n<!--more--><br \/>\nI have wondered since then about the &#8220;lay&#8221; approach to church music.  It seems that the benefit of the lay approach is that members can expand, develop, and share their talents.<\/p>\n<p>On the other hand, a professional rendering of church hymns can be a truly wonderful experience.  The church seems to recognize the tension here.  The Mormon Tabernacle Choir, for example, is not accompanied by a piano player plucked randomly from the local ward.  <\/p>\n<p>I can certainly accept the current balance of interests here, with local members given the chance to develop talents, while the more visible Choir is accompanied by professionals.  But I sometimes wonder about the potential negative consequences of this approach.  I have attended meetings at times where the music was barely functional.  In some cases, I felt that it did not add as much to the Spirit as it could have.<\/p>\n<p>What would things be like if every ward was like Manhattan First (where a half dozen members are Julliard students)?  What difference would it make if the church had a professional organist in every ward?<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I was recently thinking about music in the church. To be specific, I was wondering about the church policy of not hiring professional musicians, but simply plugging the best available members into any slot where they can conceivably fit. I have been ward organist myself, despite my complete lack of training on the organ. Our current ward organist is Logan&#8217;s lovely and talented wife, who has also (I believe) had no formal organ training. This is not to critique her efforts (or my own); we have both done pretty well, I think, especially with liberal use of the Bass Coupler button. I have also, while living in New York, attended the Manhattan First Ward. The organist there is no mere pianist-pressed-into-service, but a bona fide, trained specialist in the instrument. The result &#8212; as anyone who has attended that ward can attest &#8212; is awesome. It is also, in my observation, the exception rather than the rule. The &#8220;Kaimi or Amy pressed into service&#8221; model seems to be predominant.<\/p>\n","protected":false},"author":5,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[24],"tags":[],"class_list":["post-296","post","type-post","status-publish","format-standard","hentry","category-music-and-poetry"],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/timesandseasons.org\/index.php\/wp-json\/wp\/v2\/posts\/296","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/timesandseasons.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/timesandseasons.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/timesandseasons.org\/index.php\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/timesandseasons.org\/index.php\/wp-json\/wp\/v2\/comments?post=296"}],"version-history":[{"count":0,"href":"https:\/\/timesandseasons.org\/index.php\/wp-json\/wp\/v2\/posts\/296\/revisions"}],"wp:attachment":[{"href":"https:\/\/timesandseasons.org\/index.php\/wp-json\/wp\/v2\/media?parent=296"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/timesandseasons.org\/index.php\/wp-json\/wp\/v2\/categories?post=296"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/timesandseasons.org\/index.php\/wp-json\/wp\/v2\/tags?post=296"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}