
Mahonri Stewart recently released two of his plays–The Fading Flower and Swallow the Sun–together in a single volume. I found both of them to be so compelling, that I’m truly sad that no productions have been put on or are scheduled within 1,000 miles of where I live on the East Coast. More than just enjoyable, however, I found that they presented a strong and compellingly Mormon artistic perspective. While there is no doubt that the subject matter of both plays is Mormon, what really struck me was less the viewed and more the viewpoint. The Fading Flower centers around the faith struggles of Joseph Smith’s youngest son David, who was born after his father’s death. As he grows older, he is caught between the rival factions of the RLDS Church (with whom he was raised and with his brother serving as President) and the Brighamites (the objects of his missionary endeavors). So the setting is clearly Mormon, but what is really Mormon is David’s tortured journey to pursue the truth about his father’s practice of polygamy. Anyone can write about the subject of Mormon polygamy (just ask HBO), but looking at the issue through the lens of David becomes a powerful and uniquely Mormon reflection on the peril and promise of living in such close proximity to our historical legends. Of course with such a controversial and painful topic at the heart of the play, Stewart could easily have…